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Basel Faces Accommodation Shortage: “No Rooms Available” (INTERVIEW)

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  In the wake of Nemo’s spectacular victory at Eurovision 2024, the demand for accommodations in Switzerland has skyrocketed. During a recent interview with Michaela Popp from Lead Guest Service of Basel Tourismus, she shared insights into the current situation in Basel, the host city of Eurovision 2025.   “As you can imagine, the demand for the Eurovision Song Contest has increased enormously after Nemo’s impressive victory. Numerous hotel rooms in all potential venues across Switzerland were booked the same night,” Popp revealed. “There are currently no rooms available in the city of Basel.”   Despite the current scarcity of accommodations, Popp reassured us that efforts are underway to manage the situation. “We are working hard to divide up the room contingent of the organizers and are confident that more rooms will be available in the near future,” she stated.   In addition to expanding the availability of hotel rooms, temporary accommodations are b...

Inside Germany's Eurovision Struggles: Dr. Eurovision Offers Insight and Solutions (INTERVIEW)

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  Hello Dr. Eurovision! Thank you so much for agreeing to participate in this interview for Euro Glitter. We are excited to have your insights on Germany's involvement in Eurovision. - Can you briefly introduce yourself and explain your connection to Eurovision Song Contest? Hi, I am “Dr. Eurovision,” a dedicated fan of the world’s biggest music show since my early childhood and the first person to write a Ph.D. thesis on the Eurovision Song Contest. The contest in Malmö was the 30th I attended as an accredited journalist. - In recent years, Germany has had mixed results at Eurovision.  What do you think are the main factors contributing to this? There are various reasons for that. One might be that the German music industry does not fully recognize the Eurovision Song Contest as a genuine platform to boost an artist’s career. Therefore, most promising acts are reluctant to participate in the national selection process....

Behind the Lens: Tim Tønnessen Talks Triumphs and Trials at Eurovision 2024 (INTERVIEW)

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  In the high-octane world of Eurovision 2024, Steadicam operator Tim Tønnessen has been the unsung hero behind some of the most dynamic and visually stunning performances. From navigating unexpected technical glitches to seamlessly gliding through intricate choreography, Tønnessen has faced it all with remarkable resilience. In an exclusive interview with Euro Glitter, he shares his experiences, reveals how he tackles on-the-fly challenges, and discusses the future of camera technology in live television. Let’s dive into the world of Steadicam magic and discover what makes this year’s Eurovision a spectacle like no other.   -Hi Tim! Thank you for your time and our first question is do you have a favorite performance or moment from your time working on Eurovision this year? Not really. Every act is challenging. But I think it’s super cool when both steadies are on stage at the same time and goes through a lot of choreography together, like in the Belgian song.   ...

Exclusive Interview with Petar Brkljačić: The Journey to Dora 2025

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As the excitement builds for Dora 2025, one name that has been gaining attention is Petar Brkljačić, an artist whose heartfelt entry, “KRAJ,” has struck a chord with fans and critics alike. Known for his emotive voice and raw storytelling, Petar is set to deliver a performance that promises both intimacy and impact. In this exclusive interview, we delve into his journey to Dora, the inspiration behind his song, and his vision for the stage. Petar opens up about his creative process, the emotional depth of “KRAJ,” and his hopes for the future, both at Dora and beyond. Whether you’re a long-time fan or just discovering his music, this conversation offers a glimpse into the mind of an artist who is not afraid to wear his heart on his sleeve. 1. Hello Petar! What inspired you to participate in Dora 2025 and how did you feel when you first found out you would be in the competition? Participating in Dora has always been a dream of mine. It’s such a prestigious platform, not only in C...

Exclusive Interview with Harem Girls: Breaking Boundaries at PZE 25

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  The world of drag has long been a vibrant expression of art, individuality, and creativity. This year, Harem Girls—a dynamic drag collective from Serbia—is bringing their unique flair to the stage of PZE 25 with their entry "Aladin." Blending diverse musical influences, bold staging, and the transformative power of drag, they aim to captivate audiences and break new ground in Serbia's entertainment scene. In this interview, the talented members of Harem Girls share insights into their origins, the creative process behind "Aladin," and their vision for the Serbian National Final. With a blend of Eastern-inspired mystique and contemporary artistry, Harem Girls are not only redefining the drag performance landscape but also setting their sights on the global stage of Eurovision. Get ready to meet the queens who are turning their dreams into dazzling reality! Can you tell us about the origins of Harem Girls? How did the band come together, and what inspired ...

Interview with Magdalena Tul on Her Eurovision Comeback: “This Isn’t the End"

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  Magdalena Tul, a name that resonates with Eurovision fans, first captured our hearts in 2011 when she represented Poland with her energetic anthem “Jestem.” Though the song didn’t advance to the final, Magdalena’s powerful voice and dynamic performance cemented her place as a beloved figure in the Eurovision community. Recently, Magdalena has expressed her desire to return to the Eurovision stage, sharing her new song, “Love Myself Again,” in hopes of making a grand comeback. Despite the challenges of not being selected for Poland’s national preselection, her determination and passion remain unshaken. In this candid interview, we dive deep into Magdalena’s Eurovision journey, the inspiration behind her latest music, and her hopes for the future. Get ready to rediscover the voice that continues to inspire Eurovision lovers around the world! 1. You represented Poland in 2011 with “ Jestem.” What memories do you cherish most from that experience? Eurovision was one of my b...

Eurovision Veteran Ovi on His Comeback in 2025 (Interview)

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With a career that spans decades, Ovi Jacobsen has left a significant mark on the Eurovision world, not only as a performer but also as a prolific songwriter. Best known for representing Romania alongside Paula Seling with iconic entries like Playing with Fire , Ovi has cemented his place in Eurovision history. Now, he's back in the spotlight as a songwriter for this year's Norwegian Melodi Grand Prix. In this exclusive interview, Ovi shares insights into his creative process, reflects on his Eurovision journey, and teases what’s to come in 2025. Whether you’re a long-time Eurovision fan or just discovering his work, Ovi’s passion for music and his love for the contest shine through. Let's dive into his thoughts on Melodi Grand Prix, his inspirations, and what Eurovision has meant to his life and career. It has been confirmed that you have written a song competing in this year’s Melodi Grand Prix. How do you feel? “It feels great! It's a first-time collaboration w...

Ananda’s Journey Through Music, Emotion and Dora 2025

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  With a voice that pierces straight to the heart and lyrics that echo raw emotion, Ananda has captivated us with her powerful ballad Lies Lay Cold. As the song gains momentum ahead of her performance at Dora 2025, Croatia’s national Eurovision selection, we had the chance to interview with Ananda and uncover the inspiration, challenges, and vision behind this entry. Let’s hear from Ananda herself about how the song came to life. 1. Lies Lay Cold has a cinematic quality that has caught many listeners’ attention. What was the inspiration behind the song, and how did the songwriting process unfold? I wrote it during one of the most difficult periods of my life – I was going through a lot, and since creating is my way of coping, I put my soul into Lies Lay Cold. I wrote it in one take, created the melody in 3 or 4 minutes, and then added lyrics – so the whole process was about 20 minutes, actually. I was in Gothenburg at the time, working on another song, and when I came home fr...